As a cross-section of world-making strategies, No Song Unsung showcases the hybrid practices of a community of artists imagining alternative systems to the present. Within these constellated works, the stakes, methods, and possibilities of worlding are explored under the framework of Donna Haraway’s concept of “sympoesis”, or “making-with”. Sympoesis is an ongoing process of cultivating relationships where the human and more-than-human merge; it is an eternal practice of becoming-with an eternal song.